How To Watch Amazon Prime Geo-restricted Contents Using VPN?

Amazon Prime Video is one of the greatest streaming industry. In this platform, you can watch movies, TV shows, Sports, and more. Unfortunately, Prime Video has some restrictions on its users, that they can’t watch the contents of other regions from their region. For example, you can’t watch US Netflix TV shows, from India.

That’s because of prime video uses geoblocks to limit the movies and shows you can stream from your region.

But we have an easy solution to watch(unblock) all Amazon Prime video contents, in few steps.

How To bypass Amazon Prime Video geo-restricted contents using a VPN

Using a VPN to watch geo-restricted is the most popular way. A VPN simply encrypts your traffic data and changes your IP address based on the server location you connect to.

For example, you can stream the Prime Video content that’s streaming on the US from India, by connecting the US server listed on your VPN app.

How to Watch Amazon Prime Video Using a VPN

You have to follow these steps, while using a VPN to access Prime Videos geo-restricted content from another region.

  1. Subscribe to Amazon Prime Video.
  2. Install the best working VPN for streaming prime video in India
  3. Launch the application and connect to the VPN.
  4. Now select a server, from where your Prime Video content is streaming.
  5. Finally, Open your Amazon prime video app and Enjoy the show…!!!

VPN blocked by Amazon Prime?

If you have followed the steps, but still Amazon Prime is not working with your VPN? Here are few things you have to consider.

  • If you are using SmartPhones/ Tablets, it’s quite hard to bypass the geo-restriction. Because streaming platforms not only find your IP address but also GPS location too. If the IP address doesn’t match your physical location you might be restricted from streaming Prime Videos using VPN.
  • A VPN might not be blocked by the Amazon Prime, but some of its servers might be blocked. It’s recommended to reach out to the customer support of the VPN and ask them to provide the working server locations.

Final Words

Unblocking amazon prime video library is easy with a paid VPN. If you have queries or got struck while bypassing amazon prime geo-restriction, feel free to ask them in the comment section given below.

How To Properly Use a Wireless Lavalier Microphone

The Wireless Lavalier microphones, also known as lapel mics that are small and can be clipped to your shirt, collar or a tie. The best thing about lavalier mics is they allow you to record hand free. These mics are often used on television, theater drama, and presentations.

Lavalier is Go-To microphones that are local, portable, and the hands-free solutions you need to develop your skills. Once you clipped the mics perfectly, you won’t even need to think about the microphone; instead, you can focus on the content you are preparing for. 

Lavalier pickups are commonly used by game presenters, reporters, convention providers, churches, and more. They’re an excellent choice for making podcasts or YouTube videos on the go. Lav mics are available in both wired and wireless options, both of which have pros and cons.

So in this article, we tell all details and how to properly use a wireless lavalier microphone.

Types of Wireless Lavalier Microphone

Most beloved Lavaliers are omnivores and offer a stable grip even when you move the sound source.

Some of the different models are more durable, resistant to humidity, or more sensitive to high frequencies. Double clip designs combine cable clips to reduce stress and vibration. The difference in design mainly concerns the clips, the housing, and mounting styles.

The significant difference is found in Lavalier that uses the cardioid form. These hight direction mics are preferable in the case to reduce the impact of the environment where a narrow pattern is needed. 

How To Properly Use A Wireless Lavalier Microphone

Mounting of Microphone

When it comes to attaching a lavalier, there are three main: clip, adhesive, or strap. Your decision is based on the production and the authorized visibility, the limits of the wardrobe, and the size of the mounting points.

When mounting the microphone, the sternum is suitable because it allows the right balance between distance from the sound source and proximity. Try experimenting with different positions, such as raising or moving away from the sound source, and paying attention to changes in sound.

For mounting mics, Sternum is a well-suited position as it receives a good balance and a good sound source.

  • The garden variety clips work as per the instructions in the box, find an edge and clips on it. 
  • Vampire clips make sense when there are no edges to clip on. Instead, they have two small teeth that stick to clothes when gently pushed. 

Strips and Tape

The Lav-Strap, a combination strap that can be clasped around the upper torso area. It got a wide variety of sizes and can fit a range of windshields and sleeves to placed on.

The Moleskin tape is covered on one side, which is very popular and felt by engineers due to its strong adhesives. It is safe to use on the skin and will hold in most cases. 

Medical tape is also an option. The two strips are not immune to heat and sweat but can hold the right amount. 

Cable Management

In whatever way you mount the microphone, you need to make sure of the cable tension so that it doesn’t attract or pull the microphone capsule. The tension can be removed and fixed to the cable with a tape, which can be left behind the strap or a dedicated cable management clip.

Avoid snags of cable that pull the capsule or cause vibration noises or rub against the wardrobe garment.

The broadcast loop is a familiar scene where the microphone clip attaches and the cable loopbacks onto the clip. Hide half of the cable ring behind the garment, and the other half of the loop is visible near the capsule. You can tap and create a second loop to reduce the cable tension.

Location

High Visibility, Low mobility, and Standard Wardrobes:

The script, set, and sequences that will directly affect your microphone,

A talk show can be very predictable in which wardrobe choices, shirts, suits, and dresses are the norm. You will have necklaces and straps that you can run around and attach to your microphone. It would be best if you didn’t worry that the hosts are doing too many stunts.

A microphone clip is good enough for many cases, but with more explicit terms like Rode invisiLav, it may be more of an option. 

Low Visibility, High Mobility, and Complex Wardrobes:

In these cases, the placement of your microphone should be safe and careful, resulting in active, hot, and complex shooting arrangements.

You can always use a strap or tape when you cannot attach to the cloth. One of the conventional techniques is to cut two moleskin strips, one smaller than the other and one subject to adhering.ing, place the microphone on top, attach the second piece above the mic, and the existing part of mic Sandwich from Moleskin.

We suggest using Love-Strap as it completely hides under the clothing and should last for high energy moments.

Noise management

Whenever you work with Lavalier, the wind and the noise of clothing are your enemies. The above techniques have shown how to reduce microphone movement through isolation and intelligent amplification.

The items below will give you more flexibility to address these concerns. Silk fabrics produce more sound than cotton fabrics.

Windscreens and Furry Windscreens

The fuzzy windscreens are always available in black, gray, and white. They are used to protect against the wind and are perfect for minimizing clothing sweeping against the microphone. Their appearance and diversity of colors make them ideal for hiding; Cutting them in size and rounding is an excellent way to differentiate them.

The classic windscreens are an option to reduce noise from wind and contact but are limited in the area of ​​color and size. Both types are effective in reducing the effects of air and clothing.

So by now, you might have an idea on how to properly use a wireless lavalier microphone. Like any other technique, the practice always makes perfect. Try to track your inventory; Experiment with different placements, and try different limits of movement.

How To Mount GoPro for Perfect Shots

Whether you are an active, adventurous, or wanderlust person, here is what you need to know on how to mount gopro for perfect shot!

The GoPro is known as the best action camera on the planet, but it can be very difficult to get mastered. It comes with an instruction manual on how to use all GoPro, but the only way to really use your GoPro is to take it out and keep it in hand, experimenting with all the settings, buttons, angles, and light sources.

Gopro photography can be very different from using a DSLR or a compact camera because you don’t have a button with a large camera, but rather limited to 1 to 3 buttons depending on the Gopro model.

Nevertheless, they are truly one of the best travel cameras on the market!

The simplicity of GoPro is very easy when you’re shooting action sports, from scuba diving to scuba diving, which makes GoPro so popular with millions of photographers around the world.

It took me many years to get started with GoPro photography and I am still learning new ways to take great photos even today.

That’s how I found 7 tips for taking great GoPro photos so you can take great photos every time.

Tips To Mount GoPro For perfect Shots

1. Framing The Shot

The Hero 3 Silver Model does not have a screen to view your photos in the Cobro model below, and it is difficult to see in the image.

But the new models have a screen and my advice is: use the screen all the time! Be sure to configure GoPro to contain only what you want in the frame.

Most of the time, my photos were ruined and I was too lazy to design the photo correctly. If you find something sticky, you can still cut it, but it will reduce the quality of the photo.

2. Originality

mount gopro for perfect shot

Every man and dog use a GoPro, and for most GoPro users, there are only a few ways to take a photo, until it seems to be someone else’s idea.

Think of the classic “hands in front of the gopro in the woods or at sunset” or “hold your girlfriend’s hands while walking in the cornfield” and “shake hands in the water”. Anyone can do it, it’s old.

Take trekking poles, mount a pole under the ground, and tie the cobra running under the wild umbrella. It sounds epic!

You have to be as creative as possible to see your photos. There are countless ways to use GoPro, so think outside the box and you’ll have awesome angles in no time!

3. Plan Ahead

Depending on your activity level in your GoPro photography, it is best to plan if you want to capture days or weeks in advance.

Whatever the weather, the location is perfect, what equipment you need and what settings your GoPro needs to configure you.

There are many examples of why I came to shoot barefoot because my research is unnecessary and does not always work. 

Unplanned Events

mount gopro for perfect shot

Once I crossed the deserts of Central Australia with 2 co-ed and limited mounts, none of my shots came out because you can see the lack of planning to go on this photo.

I could put a wheel on my leg and my frame, but what about the desert or the fact that I cross the desert?

It was only because I hadn’t planned in advance what type of video I wanted to capture, that I captured 200 different messy photos. This is what happens if you don’t plan your shots.

Planned Events

The hike through Upper Mustang in Nepal provided many possible ways. Most of my Gopro mounts were installed when I hit the road for a long time.

All I had to do was adjust the settings in “Time Lapse” mode, take one photo per second, attach the GoPro to my tripop. .

4. Photograph At Sunrise or Sunset, Never Interrupt

mount gopro for perfect shot

As with all photos, the best time to vent your Gopro is when the first rays of the morning approach the horizon or at sunset. Light from the camera’s sensors will not produce a soft glow that will give the image fully exposed.

In this photo the color of the light is blonde (not as white as in the middle of the day). The Pandanus palm has a soft glow and a calm atmosphere by the sea.

If you’re shooting in the middle, it’s very bright, away from the sun, or use filters that can be attached to the outside of the Gopro, controlling the light coming from the lens.

If I photograph when the sun is shining, I use a Polar Pro UV and a neutral density filter to match the standard Fine Gopro.

5. Experience With Parameters

mount gopro for perfect shot

There are countless places to use GoPro, things to photograph, and settings to use. If you know the GoPro settings, your images will look better.

If you’re new to GoPro photography, start with the basics of freehand shooting (remember some tips above), then experiment with systems such as downtime, night breaks, and photos gust.

The world is yours once you know these systems. Know your settings so you can focus on getting the right eyesight!

6. Equipment – Gears

I like to keep it simple when shooting, so I limit myself to having it in my bag, but if I have enough material, it will help me shoot in the face.

If you can only choose from 3 supports, I recommend this:

Jazz Clamp: The best and most versatile GoPro frames so far. You can combine this beauty with skateboards, surfboards, horse saddles, roof racks in cars, and the list goes on and on.

Tripod: A curved and detached tripod that is available in different sizes. Beautiful hands to attach the most stable objects. Go for the larger tripod as everything will wind up a lot.

Floating rear door: The last thing I wanted to do was dive into the ocean floor for my GoPro, so I thought my GoPro was not afloat. The floating rear door is ideal for keeping your GoPro out of the water.

7. Get Good

There are different activities that you can capture with your GoPro. If you are a beginner with a camera, target a specific activity, and be well. Once you’ve mastered GoPro photography and various functions, move on to develop your skills.

For me, I think features like rock climbing, street and landscape photography work better, so I’m constantly training them in shooting, but I’m growing and learning new ways to take great shots. 

Gopro pictures are awesome in everything you do and your photos will reflect that!  

If you put all of these items together to take photos with your GoPro, you have to create amazing images.

How To Use An Audio Mixer

Have you ever confused yourself on seeing the audio mixing board and wondered where the earth is on earth to start with? If you are new to music production, then definitely know the buttons, and the number of sliders would have driven you with that question as it happened to me at the very first sight when I got one. 

The consoles are pretty easy to follow once you start to look at them in detail. Getting to know about the hardware layout and functions will also help you when you go for a software-based mixer, as it uses the same patterns and principles of design and flow that keeps things standard across the domains. 

We recommend you go through the article, so even if you don’t want to have a hardware console, this knowledge will still help you when you use a mixer inside your DAW. So let’s see how to use an audio mixer.

How To Use An Audio Mixer

What Is An Audio Mixer?

Audio Mixers – in any form like the board, mixing desk, console, soundboards – all of these names mean the same thing. A mixing office brings together the different devices and zones that you have written and saved. You can change the settings for each partition as desired:

  • Volume
  • Frequency content
  • Stereo status
  • Effects and Dynamics

You can combine different pieces of your music into one using the mixer, then download it as a stereo file on a CD or download it as an MP3 somewhere.

Types of mixing Board arrangements

The composition tables can be divided into two main categories: 

  • Input Section – The input section is where you send the signal to be recorded in the mix.
  • Monitoring unit – The monitoring section is where you will listen exactly what you have already entered.

With that in mind, you’ll find two different arrangements in the hardware mixer. They are:

  • In-Line.
  • Split.

With a Split mixer, these two sections are located in separate parts of the table. The In-line console contains both the input section and the monitoring section on the same channel strip.

Channel Input Strip

Let’s examine the specific properties of the input strip to see what all of the controls are. Once you know it, you will learn control at 80% of the audio desk control, as these channel strips are only repeated on the desk.

Input section

This is where you improve the amount of input gain before going further into the input level.

You won’t get all of the following restrictions on each mix, but it’s worth knowing about them for future reference:

  • Gain Level – Determines the amount of signal entering the channel’s built-in preamp.
  • Pad – This can reduce the amount of input for a while, usually to avoid distortion of the input signal by -20 dB.
  • Phase inversion – converts the stage of the input signal 180 degrees (the reverse).
  • Phantom power – The capacitor provides +48 V power to the microphone and the DI box.
  • Mic / Line – Selects the input type: XLR connection at the microphone level or quarter-inch jack connection at the line level.
  • Flip – found in the online mix. Changes the channel from the input function to the monitoring function.

The Assistant Sends

You will make full use of this area a lot. This is where a copy of the entry signal can be sent to the different impact units outside the mixer.

For example, a guitar input can be sent to an inverted unit via an aux. The stereo output from the Reverb unit returns to the mixer on the other two input channels so that you can combine the two signals.

The Aux send console can also create a subset of the inputs, usually transmitted to a monitor or headphone mix in the studio. You typically send four to eight axes to the input channel of the table – it depends on the size of the table.

One important thing to remember about the auxiliary send is the choice of the pre-fader/ post-fader section.

  • Front Fader

If selected, the channel output dimmer (slider under the channel strip) does not affect the amount of signal sent by the aux. It is usually chosen as the control mix when a mix of previously recorded tracks is sent to a musician via headphones while recording a new song.

  • Post-Fader

If selected, the channel output blur affects the amount of DOES signal sent. This is usually chosen when sending messages to the impact unit, as it is easy to control the amount of signal sent to the group with channel blur.

Pan

It places the sound from left to right in the stereo area. The knob is called a pot, which is short for a large potentiometer.

EQ

This changes the frequency content of your records.

Mute/Solo

Mute – Unable to listen to the channel.

Solo – You can only listen to this channel, and all others are silent. You can isolate several channels at the same time.

Routing Channels

The Channel Assignment section is mainly used if you are recording to an external source such as a tape recorder or multitrack recorder. You can select where you want to send the input signal.

Insert point

This is usually the link behind a channel piece. This connects with the signal path of the input channel with the external device. These are commonly used for a signal processing device such as a gate, compressor, a limiter, or an external EQ unit.

Final Thoughts

We have shown you the basic principles of mixing consoles, and they are more or less the same as comparing physical consoles to DAW software mixers.

Features such as using an equalizer for sound, controlling the ready-to-record input, sending a signal to an effect unit, or the software effect plug-in – there are many things you can control from the mixed group, such as creating and creating your tracks. It is undoubtedly an essential part of the studio to learn better.

How To Set Up And Use Tripod Like Pro

To get the perfect video, one needs to gain control over their cameras. And the best way to do that is to use a tripod. So get yourself some suitable sticks, then you will be ready to use a Tripod like a pro and shoot a perfect video. 

Before you proceed, there are certain things you need to make sure of the tripod. After all, every tripod is not equal, so ensure the purpose and type of tripod you are going to use. 

In this article, we’re going to share tips and tricks on how to set up and use a Tripod like a pro and use its full potential to help you with this. 

Features of Tripod

Before trying with the techniques, let’s discuss some essential aspects of video production using tripods. Many tripod models are available for a few dollars at local pharmacies and department stores. 

They may have three legs and a camera mounting plate, but most of them are not suitable for filming anything close to a professional-looking video. Here are the essential features to look at in the video tripod.

1. Head

The tripod head holds your camera on the tripod and allows it to pan and tilt. It also offers resistance, so when you go out, your camera will come out without slipping or falling. The right fluid heads only will provide you with the smoothest moves. 

set up and use tripod like a pro

As for the heads, they are an exclusive choice of serious shooters, because they facilitate the camera start and stop operator moving smoothly, easing the pans and tilts, and varying the speed duration without any hitches. It is quite common for inexpensive tripods.

2. Legs

When looking at the holding legs, it is essential to consider their strength, weight, and latch to protect the stretch. The load estimates the advantage of a tripod. 

set up and use tripod like a pro

This tip is quickly published in the tripod marketing document. The key here is to choose a tripod with legs that are quick and easy to stretch, and that won’t slide under the weight of your camcorder.

3. Height

Another important tip is to check the maximum height of your tripod. You can pull in an upright position, so the chin should be high when the tripod mounting plate is extended. For a 6 foot long shooter like me, that means a tripod about 60 inches before fixing the camera. 

set up and use tripod like a pro

For the record, the center’s expansion should not be taken into account. Make sure you understand what the “maximum height” is indicated in the mirror, as the lean pole provides all the stability that the tripod offers.

4. Feet

To anchor your views, it is essential to keep the legs of your tripod on the ground without slipping. Look for inexpensive hard rubber or plastic feet. 

They can slide on the ground and break easily. Instead, look for models with rubber feet fitted with metal hardware. Many tripods have retractable rubber covers that are pulled behind to reveal spikes, which is excellent for grass shooting.

Best Tripod Techniques

Once you have a video approved tripod for work, here are some techniques to help you prepare for a successful shot.

1. Balance The Level Head

Whether you’re shooting from a flat base or coming from the edge of a mountain, it’s essential to make sure your camera sits at the tripod level, so your shorts don’t unroll. Most tripods include a bubble position (usually with a round target to identify the size). 

Most models require you to move your head upward by adjusting the height of each leg at the centers of the target’s bubbles. Others have a ball mount, which allows you to rotate your head in a mounting cup to balance the camera without adjusting the legs.

2. Put Your Foot Down

As far as your tripod legs position is concerned, there are two schools: one leg forward or two legs forward. When shooting on flat ground, how you place your legs depends mostly on the choice of the user, the style and position of your viewfinder, as it determines the location of the camera operator.

With a traditional folding side screen and eyecups, it is common to hold one leg forward. This allows you to stand closer to the camera between your legs without interruption. Cameras with significant rear-facing sights, such as studio cameras and DSLR.

However, it requires the shooter to stand directly behind the camera, so that pointing one leg toward the camera front will provide good contrast for the rear shooter. If you are shooting on a steep slope, it is wise to specify two legs, regardless of the type of camera you are photographing, as it offers more excellent stability.

3. Adjust Your Medications

One of the most critical aspects of creating smooth pans and tilts is to adjust the amount of drag tension. The drags of Pan and Tilt are adjusted separately to increase or decrease the resistance. The camera fails loosely if the pull is too loose. If they sung too much, they can cause jerky movements. 

Each user should adjust the drags at their discretion, but in general, it should be loose enough to allow for smooth movement but should be tight enough, so the camera does not drift out of position. It is also a good idea to match the stress of the pan and the tilt drag so that they provide constant and uniform resistance.

4. Move Slowly

When the time comes to make a shooting move, it is useful to see this process as one, not three movements: a starting system, a complete system, and the other—smooth transition.

Terrible triggering is a subtle combination of equipment and technique. Making indecisive moves are considered to be an armature move

You must keep your eyes away from the iCap to see where you are going so you can see the scene in front of you and rotate the camera without bending your feet to get up. Or step back. I recommend that you make your final shot first and position your feet so that you can stand comfortably at the end of the movement. 

Once you have established your final position, put the camera in the starting position, and write your starting sequence. It may require a bit of traction, but when you do your movement, you move steadily toward stability, and it’s a consistent decision. 

Do not whip to prevent your camera from starting. Start your movements slowly, speed up the actions, then slow down and slow down when you reach your final setting. If you go up, the trick is to shoot at a slightly different rate: slow, medium, and fast. This will give you options in Edit Bay.

Ultimately, operating a tripod is a physical feat that requires a minimum of skill in addition to theory—the best way to practice it. So take the time to work with your tripod when you are free to try and make mistakes. That way, you’ll be ready to roll when you need to take that shot.